The Paris of Gvasalia, designer of Vetements and Balenciaga, is not that Paris. Instead, it is the Paris you might recognise if you were gripped by the latest series of gritty French police drama Spiral. It is the city we glimpse through the eyes of Louise, the nanny in Leïla Slimani’s novel Lullaby, when she makes the after-work journey from her employers’ chic 10th arrondissement home to her down-at-heel neighbourhood. It is a city of phone shops and fast food, a city where glamour means tight jeans and fake handbags, a city where background noise is a different language on every street corner, not a harmonious Édith Piaf soundtrack.
A fortnight ago, Gvasalia showed his new Vetements collection there during men’s fashion week, on a makeshift catwalk marked out on the threadbare carpet of Les Puces de Saint-Ouen flea market, models weaving between stalls loaded with gold ornaments, piles of rugs, haphazard ornamental mirrors. As a venue, it was about as far from the tropes of fashion week – lavish hotel ballrooms, expensively neutral all-white marquees – as it is possible to get. The models wore headscarves and raincoats, slogan T-shirts and zip-up fleeces.
Source: theguardian
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